Natureculture Lab

The Natureculture Lab responds to the urgent need for an exchange between art/cultural heritage and natural conservation in the face of climate, environmental and humanitarian crises.

Fiche signalétique

  • Départements participants Haute école des arts de Berne
  • Institut(s) Institut Matérialité dans l'art et la culture 
  • Unité(s) de recherche Contemporary Art and Media
  • Champ thématique stratégique Champ thématique "Caring Society"
  • Organisation d'encouragement FNS
  • Durée 01.10.2024 - 28.02.2025
  • Direction du projet Dr. Hanna Barbara Hölling
  • Équipe du projet Ravi Agarwal
    Lotte Arndt
    Jacob Badcock
    Maria Bol
    Sven Dupré
    Josephine Lucy Ellis
    Munyaradzi Elton Sagiya
    Noémie Etienne
    James Kuboja
    Felicity Lunn
    Emilie Magnin
    Daniel Margoscy
    Laura J. Martin
    Juliana Robles de la Pava
    Rodney Harrison
    Prof. Dr. Christian Rosset
    Friedrike Schäfer
    Anna Schäffler
    Maartje Stols-Witlox
    Glenn Wharton
    Aga Wielocha
    Jerylee Wilkes Allemann

Situation

This international think tank brings together in a hybrid format experts of conservation in two domains: on the one hand, art and cultural heritage conservation; and on the other hand, nature conservation. In both domains the “things”, “items”, “objects” or “sites” conservators and conservationists care for are increasingly recognized as natureculture hybrids. While art conservation, especially in its earlier guise of restoration, primarily considered artworks as the outcome of human—and especially the artist’s—intentions, the field of art conservation has increasingly recognized that the materials of artworks undergo unintentional, and sometimes unexpected, changes and are subject to loss and decay well outside human control. At the other end, while inspired by ideas of pristine wilderness, nature conservation in its earliest instances was primarily geared towards the establishment of national parks and nature reserves fortified against human intervention, conservationists have come to value humans as inherent to the ecosystems they care for. Given that the “things” and “sites” for which (art) conservators and (nature) conservationists hold responsibility are interplays of human and non-human agencies and thus natureculture hybrids, both fields and communities consider ontologically similar objects, and should exchange views.