Natureculture Lab
The Natureculture Lab responds to the urgent need for an exchange between art/cultural heritage and natural conservation in the face of climate, environmental and humanitarian crises.
Fiche signalétique
- Départements participants Haute école des arts de Berne
- Institut(s) Institut Matérialité dans l'art et la culture
- Unité(s) de recherche Contemporary Art and Media
- Champ thématique stratégique Champ thématique "Caring Society"
- Organisation d'encouragement FNS
- Durée 01.10.2024 - 28.02.2025
- Direction du projet Dr. Hanna Barbara Hölling
-
Équipe du projet
Ravi Agarwal
Lotte Arndt
Jacob Badcock
Maria Bol
Sven Dupré
Josephine Lucy Ellis
Munyaradzi Elton Sagiya
Noémie Etienne
James Kuboja
Felicity Lunn
Emilie Magnin
Daniel Margoscy
Laura J. Martin
Juliana Robles de la Pava
Rodney Harrison
Prof. Dr. Christian Rosset
Friedrike Schäfer
Anna Schäffler
Maartje Stols-Witlox
Glenn Wharton
Aga Wielocha
Jerylee Wilkes Allemann
Situation
This international think tank brings together in a hybrid format experts of conservation in two domains: on the one hand, art and cultural heritage conservation; and on the other hand, nature conservation. In both domains the “things”, “items”, “objects” or “sites” conservators and conservationists care for are increasingly recognized as natureculture hybrids. While art conservation, especially in its earlier guise of restoration, primarily considered artworks as the outcome of human—and especially the artist’s—intentions, the field of art conservation has increasingly recognized that the materials of artworks undergo unintentional, and sometimes unexpected, changes and are subject to loss and decay well outside human control. At the other end, while inspired by ideas of pristine wilderness, nature conservation in its earliest instances was primarily geared towards the establishment of national parks and nature reserves fortified against human intervention, conservationists have come to value humans as inherent to the ecosystems they care for. Given that the “things” and “sites” for which (art) conservators and (nature) conservationists hold responsibility are interplays of human and non-human agencies and thus natureculture hybrids, both fields and communities consider ontologically similar objects, and should exchange views.