Art as Research: processes of knowledge production through and about artistic practice

The research field “Art as Research” at the Institute for Practices and Theories in the Arts (IPTK) is home to research projects that explore questions of cultural and scientific history through and via artistic practice. Researchers from the arts and sciences examine the role of aesthetic practices in the context of social developments.

As part of the research projects, artistic practices of knowledge production are not only explored in detail. They are developed and utilized in order to pursue current questions of corporeality, materiality, image production and subject constitution in socio-historical and cultural contexts. In terms of methodology, the projects draw on artistic practices such as installation, photography, video, performances and drawing, and are partly based on ethnographic approaches such as participant observation, interviews, condensed writing, photo-elicitation and performance ethnography. 

The research field focuses on experimental approaches and forms of transdisciplinary thinking through an artistic-aesthetic, performative, cross-media practice and the associated linguistic and non-linguistic forms of knowledge. Furthermore, visual and cognitive processes of art perception and the visual constitution of meaning play a central role. 

 The research field has a direct impact on the teaching at the HKB, as topics, concepts and principles of «art as research» are discussed and tested in various teaching and discussion forums. While this dialogue leads to research projects, it also leads to a broader working perspective for students through research. 

Ongoing Projects

Selection

Die «Tiere Afrikas» hinter Glas – Die Dioramen im Naturhistorischen Museum Bern

The “Animals of Africa”, whose furs, skulls and horns were brought to Bern from hunting expeditions almost 100 years ago, can still be admired today in the habitat dioramas of the Natural History Museum Bern (NMBE). The interdisciplinary project investigates how and according to which models the gifts were prepared into living animals, which landscapes they were incorporated into and how the dioramas were maintained over time.  

Aesthetisation of war violence: An artistic-scientific investigation of the use of documents in contemporary performative arts

The representation of war and war violence on stage is currently receiving a lot of attention by a Western audience. But how exactly is war performed and by which means? What role do documentary material, witnesses and witnesses’ accounts play? This inter-disciplinary research project is engaging in an artistic/ scholarly investigation to find out more about the aestheticisation of war violence.  

Contact

Feel free to get in touch with us!

Hochschule der Künste Bern HKB
Forschung
Institut Praktiken und Theorien der Künste
Sekretariat: Daniela Wüthrich
Fellerstrasse 11
CH-3027 Bern