Martina Haidvogl

Co-head and lecturer of the Conservation of Modern Materials & Media / Contemporary Art Conservation program

Conservation of Media Art

Digital tools supporting and fostering cross-disciplinary collaboration

Software-based artworks

Martina Haidvogl (2022 - forthcoming). "A Roundtable: Implementing Cross-Departmental Workflows at SFMOMA - Martina Haidvogl in conversation with Michelle Barger, Joshua Churchill, Steve Dye, Rudolf Frieling, Mark Hellar, Jill Sterrett, Grace T. Weiss, Layne White, and Tanya Zimbardo."
Martina Haidvogl and Linda Leckart (2022 - forthcoming). "Inventory and Database Registration of Time-based Media Art."
in: Conservation of Time-Based Media Art. 1st Edition. Eds: Deena Engel & Joanna Phillips. Routledge, 2022.

Martina Haidvogl and Layna White (2020), Stedelijk Studies No. 10, https://stedelijkstudies.com/journal/reimagining-the-object-record-sfmomas-mediawiki

Martina Haidvogl (2019) “Slides, Projectors, and Challenges: Case studies from the SFMOMA Collection. // Dias, Projektoren und Herausforderungen: Fallbeispiele aus dem SFMOMA.” In: Back to the Future! Im Karussell der Diakonservierung. Kunstmuseum Hamburg. Eds: Editor Barbara Sommermeyer & Claartje van Haaften, Hamburger Kunsthalle. Kerber Verlag, Sept 2019.

Martina Haidvogl (2019). "Challenging the de facto master." VoCA Journal, March 15, 2019

Martina Haidvogl & Robert Kett (2017). "From the ‘Dumb Box’ to the Museum as Interface: Curating and Conserving Digital Design." Future Talks 017: The Silver Edition. Visions. Innovations in Technology and Conservation of the Modern. Postprints. Ed: Tim Bechthold. Die Neue Sammlung, Munich, 2017.

Matters in Media Art (2016). Sustaining Digital Art. New Art Trust, SFMOMA, Tate, und MoMA.

Martina Haidvogl (2014). "Expansion in gemeinsame Räume - Die Förderung ressortübergreifender Zusammenarbeit durch architektonische Strukturen am SFMOMA." Rundbrief Fotografie, Vol. 21, Nr. 4: 28-32.

Martina Haidvogl (2015). “Expanding Into Shared Spaces at the San Francisco Museum of
Modern Art.” EMG’s Electronic Media Review Vol. 3.

„#TheTruth and Other Variabilities from SFMOMA’s Media Conservation Lab.“ Topics in Time-based Media Art Conservation, New York University, New York. February 27, 2019.

„Art Wiki at SFMOMA: Fostering collaborative art documentation through MediaWiki“. Museum Computer Network (MCN), Annual Meeting, Denver. Presented with Layna White and Mark Hellar. 16 Nov 2018,

„Documenting Artworks“ und „Developing a Media Lab”. MoMA Media Conservation Initiative, Workshop 2, Getting Started: A Shared Responsibility, Caring for Time-Based Media Artworks in Collections. 11-15 Juni 2018.

„SFMOMA’s Mediawiki: Prototyping a new object record.“ Linked (Open) Data / Wikibase Summit NYC, Rhizome, New Museum, New York. 19-21 Sept 2018.

"Museum as Interface: Curating and Conserving California Digital Design.“ Future Talks 017, Die Neue Sammlung, München. Präsentation with Robert J. Kett. 13 Okt 2017.

„Susan Kare and Her Macintosh Icons: A Co-Acquisition.“ American Institute for Conservation, Annual Meeting, EMG group, Miami. Presentation with Ben Fino-Radin and Mark Hellar. 11-18 Mai 2016

„Julia Scher’s Predictive Engineering.“ Tate Modern: Media in Transition. Presentation with Rudolf Frieling and Robin Clark. 18-20 Nov 2015.

„Case study 1: Acquiring and Documenting Jürg Lehni’s ‚Viktor‘.“ Solomon R. Guggenheim Museum, New York, TechFocus III: Caring for Software-based Art. 25-26 Sept 2015.

Martina Haidvogl im ORF-Interview: Das Medienkunstwerk im Zeitalter seiner technischen Obsoleszenz. Ö1 Diagonal, 4. Sept. 2021. Gestalterin: Teresa Schwind. https://oe1.orf.at/programm/20210904/649732/Diagonal-stellt-vor-Das-Magazin-zum-Monatsanfang

Martina Haidvogl (2016). "There’s No App for That: Adventures in Conserving Old Tech."

American Institute of Conservation (AIC) / Electronic Media Group (EMG)